Writing

Project
2026

On Enantiodromia and Hilde Lynn Helphenstein

On the pressures of public persona, enantiodromia, and why our demons don’t define us.

Written in response to the C.G. Jung Institute of Chicago's two-part podcast conversation about Hilde Lynn Helphenstein — revisited here in light of her recent death.

I hadn't heard of Hilde before the other day since I stay off most social media. From the sounds of it I'm not surprised that someone who felt completely helpless began to be relatable to others and went viral with their sharp cynicism and knowledge as power kind of challenge to the 'elites'. One of the problems with that though is that the role inherently shifts once the satirist becomes powerful themselves.

"Let's commiserate about how elites use their power" becomes the psychological weight of bearing that responsibility. The pressure to mask and become a saint rather than be the messy authentic version of oneself that was initially relatable.

Learning about "enantiodromia" here is incredibly valuable, but I think binary thinking around it can be dangerous. We need to practice self-acceptance, not shame, over the masks we wear to protect ourselves. Even Hilde's language about "extricating her demons" feels loaded with internal judgment about which parts of her psyche are "good" or "bad" instead of feeling like a whole person who contains both.

With how tragically her story turned out I just want to stress here for anyone struggling with their sense of needing to mask or protect themselves to try and respect your ingenuity and imagination even if what it's come up with makes you uncomfortable. Our demons may perform useful roles for us but they don't define who we are.

The conversation



2024

Coronas

Ala Moana Center

Group collection as part of the Canada Goose Art Programme, Curated by NAMARA The Ala Moana collection explores the theme of Patterns and Predecessors, connecting artworks through…

Group collection as part of the Canada Goose Art Programme, Curated by NAMARA

The Ala Moana collection explores the theme of Patterns and Predecessors, connecting artworks through mark-making, patterning, and shared narratives of generational knowledge. A warm palette unites pieces from Hawaii, the Arctic, and Southern Canada, highlighting cultural and stylistic connections.

Central to the collection are works by Hawaiian artist Lehuauakea, showcasing traditional kapa (bark cloth) and 'ohe kāpala (carved bamboo stamps). Suspended textiles, created through meticulous ancestral processes, serve as vessels of storytelling and heritage. These works engage in dialogue with Inuk prints, drawing parallels between Southern and Northern traditions through shared mark-making techniques.

Highlights include Oloreak Etungat's Coral Reef, a reflection on the oceanic ties of Hawaii and Arctic communities. Ningiukulu Teevee's Heading Home captures intergenerational closeness, while Qavavau Manumie's Collecting Berries introduces Inugagulligaq—mythical little people from Inuit legend, passed down through generations.

The collection also features Alexander Jowett's Horizon Lines, evoking the light and rhythm of the sea through meticulously drawn horizontal lines, contrasted by Alex Fischer's Coronas, a vibrant fusion of overlapping patterned circles that suggest a jubilant, swirling dance from pattern to form.

2023

As a Bird

'The RED' Taikoo Li Sanlitun

Group presentation as part of the Canada Goose Art Programme, Curated by NAMARA > As a Bird is open to discovery and standing tall to the sky. > Two figures, two artists, Saimaiyu…

Group presentation as part of the Canada Goose Art Programme, Curated by NAMARA

> As a Bird is open to discovery and standing tall to the sky.

> Two figures, two artists, Saimaiyu Akesuk's Rippling Birds and Sparkling Bird here intersected by Alex Fischer.

> Saimaiyu's confident drawings with bold and dynamic simplicity are rendered with soft tenderness and often a touch of whimsy. Alex's fashioning of Saimaiyu's characters into models here amplifies their presence.

> A presence of standing being sensitive to the waves and stars. A proud character.

Beijing RED brings together Canadian, Inuk, and Chinese narratives through a curated selection of works that explore colour, form, and cultural storytelling. Artist Ho Kan, from Taipei, offers his series Geometric Calligraphy, which abstracts Chinese characters into vibrant "spiritual arrangements" of space, points, and circles, rendered in deep, magnetic tones.

Complementing these pieces are works by Inuk artists Meelia Kelly and Saimaiyu Akesuk. Kelly, a foundational member of Kinngait Studios, captures Arctic fauna in bold abstractions, reflecting her roots in a community that once lived nomadically. In contrast, Akesuk's contemporary approach often features playful interpretations of polar bears and birds, emphasizing her unique style developed under the mentorship of Kinngait elders. The hybrid sculpture As a Bird stands as a transformative symbol of Inuk storytelling, combining mythology with personal expression. Together, these works celebrate the interplay of tradition and innovation, with colour and form serving as bridges between Chinese, Inuk, and Canadian stories.

Blue Parrots & Untitled Pairs

Design District

Presentation as part of the Canada Goose Art Programme, Curated by NAMARA > When does a soul become dyed with the color of its thoughts? These large images both face themselves an…

Presentation as part of the Canada Goose Art Programme, Curated by NAMARA

> When does a soul become dyed with the color of its thoughts? These large images both face themselves and face away. Reaching and spiraling both inward and upward, they are poised and revealed, always re-centering on some in-between space and embracing a warmth of details to call their own.

The Miami Pop-Up celebrates the ongoing collaboration between Saimaiyu Akesuk (Inuk from Kinngait) and Alex Fischer (Southern Canadian from Toronto), with their shared bird-themed focus showcased in vibrant and imaginative works. While their partnership has previously culminated in installations like As a Bird, this collection highlights their individual approaches to mark-making. Akesuk's bold use of color and expressive, hand-drawn lines contrasts with Fischer's pixel-perfect digital creations, which are best experienced at scale to appreciate the immersive detail of his microscopic sketching.

Set against Miami's tropical backdrop of palm trees and parrots, Akesuk's birds evoke Arctic species, including whimsical hybrids imagined to merge with polar bears. The interplay of Akesuk's striking palette and gestural forms with Fischer's precise and meticulous style results in a collection that is both playful and thought-provoking. Together, their works create a vibrant dialogue between two unique perspectives, inviting viewers to explore the intersection of imagination, nature, and design.

Lemon Tea & Untitled Greens

Somerset

Solo presentation of lightboxes as part of the Canada Goose Art Programme, Curated by NAMARA Safety is not without uncertainty. We swim and rise from plasma and ocean swells. Lemo…

Solo presentation of lightboxes as part of the Canada Goose Art Programme, Curated by NAMARA

Safety is not without uncertainty. We swim and rise from plasma and ocean swells. Lemon Tea and Untitled Greens are paired together here as light box imagery and conceptual bridges. These are a likening to worlds between worlds and of our presence and the gestures we make being an inseparable aspect of the places we visit.

Portal

Grafton St

Group collection as part of the Canada Goose Art Programme, Curated by NAMARA > Shadow Integration as a delicate digital folding. The world swirls around the conscious persona. Bu…

Group collection as part of the Canada Goose Art Programme, Curated by NAMARA

> Shadow Integration as a delicate digital folding. The world swirls around the conscious persona. But here we are, gazing into the gray, not in it but with it. Witnessing the surplus of reality that resists.

The Dublin collection celebrates Jubilation, centering on Inuit art that explores transformation and joy. On the ground floor, contemporary works depict mythical water creatures, with artists reimagining the anatomy of fish and birds. These bold, experimental forms are anchored by Oolosie Saila's landscapes, offering a sense of place and connection. Nearby, Alex Fischer's lightbox installation, Portal, amplifies the surrounding palette and form, creating an engaging, immersive experience.

As visitors ascend, they encounter silk-screened tapestries, specially created for Dublin, that transform traditional methods into bold celebrations of pattern and color. The upper level also features carvings and drawings of transformation stories and impossible creatures, their softer palettes balancing the vibrant energy of the ground floor. Among these works are two commissioned textiles: Quvianaqtuk Pudlat's thoughtful repetition of form conveys rhythm and harmony, while Ning Teevee's playful designs bring humor and compassion. Together, these pieces highlight Inuit art's rich heritage and modern innovations, celebrating its deep cultural narratives of joy and ingenuity.

2021

在司徒 In Situ

Harbin Charter

In Situ was commissioned as a waveform light wall by Polymetis and a looping 9:16 animation by Alex Fischer.

Day Forest

Sanlitun

Completed and installed in 2021, a 2998×3200㎜ pigment print iterated from Tonight and Day (2018).

Totem Path

SKP

80 × 120 inch giclee print. An experimental landscape fusing early GAN generation with digital matte painting techniques. On display at SKP, Beijing, China.

2020

Story Tree

Yorkdale Mall

Collaborative commission as part of the Canada Goose Art Programme, curated by NAMARA Canada Goose commissioned Story Tree for their flagship Toronto location. This piece was conc…

Collaborative commission as part of the Canada Goose Art Programme, curated by NAMARA

Canada Goose commissioned Story Tree for their flagship Toronto location. This piece was conceived as a meeting place where North and South come together. Story Tree unites Inuit artist Qavavau Manumie, known for his surreal drawings of Arctic life and his contemporary perspective on traditional Inuit knowledge and mythology, with Toronto-based Alex Fischer, whose work explores the Canadian landscape through abstract conceptual codes and speculative imagery.

The tree, a southern symbol of ancestry, knowledge, and enduring strength, grounds the piece in a familiar language. Story Tree's limbs are in full bloom, with whales, polar bears, and Arctic char flowering overhead. In nature, human, animal, and plant life exist in harmony only when we recognize and embrace our interdependence.

ᐃᒻᒪᕕᒻᒥ Upon the Sea 海上

iAPM

Presentation as part of the Canada Goose Art Programme, Curated by NAMARA Canada Goose commissioned Upon the Sea for their flagship Shanghai location. This piece was designed with…

Presentation as part of the Canada Goose Art Programme, Curated by NAMARA

Canada Goose commissioned Upon the Sea for their flagship Shanghai location. This piece was designed with the building facade in mind, as a way of creating a unique artist presentation, viewable from the store interior and exterior, alike.

A suspended sea plant landscape of where the ocean meets the land. A convergence. Fischer used linework from traditional Chinese landscape painting, illustrations of neuronal bridges, and representational elements from Manumie's drawing practice.

Shanghai is located where the confluence of two rivers meets the Pacific ocean. The piece is intended to be an embodiment of where different worlds meet referring both to Canadian culture in China, and Southern Canadian and Inuit cultures represented in this piece.

Thank Yous

Thank Yous

A heartfelt thank you to those who have helped make this art practice possible: family, friends, fabricators, techs, and gallery staff, as well as the generous patronage and support of Donald O’Born, Canada Goose, BNY Mellon, Equitable Bank, Leith Wheeler, Shrigley Battrick, Equinor, TD Bank Group, Natalie MacNamara, The Ontario Arts Council, and many other private collectors and supporters.

感谢您访问, Thank you for visiting, आपके आगमन के लिए धन्यवाद, gracias por su visita, شكرا لزيارتكم, terima kasih kerana melawat, Спасибо за посещение, পরিদর্শন করার জন্য আপনাকে ধন্যবাদ, obrigado por visitar, merci de votre visite, na gode don ziyarar, ਤੁਹਾਡੇ ਆ੉ਣ ਲਈ ਧੰਨਵਾਦ, danke für den Besuch, ご訪問いただきありがとうございます, تشکر از بازدید شما.