Alex Fischer — 2022 Giving Entry NAMARA projects

Alex Fischer, Pale Rythem, 2022—170401, 572×457mm / 22½×18in matte giclée

Alex Fischer, Pale Rythem, 2022—170401, 572×457mm / 22½×18in matte giclée

Giving Entry

_{Group Exhibition @ NAMARA projects | Toronto, Canada}

Took place July 9 — September 10, 2022.

Select works by Michael Dumontier + Neil Farber, Alex Fischer, Nelson Henricks, Rick Leong, Zachari Logan, Terran McNeely, John Monteith, Janet Morton, Dainesha Nugent-Palache, Nicotye Samayualie, Kristin Sjaarda, Winnie Truong, Emma Welch, and Xiaojing Yan.

Giving Entry is an exhibition of works by artists who employ flowers or floral motifs in considerations of social, philosophical, and political subjects. What matters most is the embeddedness of these blooms in their particular stories. Within this exhibition, flowers are put to work symbolically in varied artistic inquiries. Counting among them are built narratives around equality and difference; history, memory, and temporality; environment and climate; speculation and the supernatural.

NAMARA Projects, Giving Entry

NAMARA Projects, Giving Entry

Alex Fischer, Pale Rythem, 2022—170401, 572×457mm / 22½×18in matte giclée

Zachari Logan, Alex Fischer, NAMARA Projects, Giving Entry

Zachari Logan, Datura from Eunuch Tapestries, 2014, 2310×1500mm / 91×59in pastel on paper

Zachari Logan, Datura from Eunuch Tapestries, 2014, 2310×1500mm / 91×59in pastel on paper

NAMARA Projects, Giving Entry, Kristin Sjaarda, “Salon Wall”, Zachari Logan

NAMARA Projects, Giving Entry, Kristin Sjaarda, “Salon Wall”, Zachari Logan

NAMARA Projects, Giving Entry, “Salon Wall”

NAMARA Projects, Giving Entry, “Salon Wall”

Nicotye Samuyalie, Untitled, 2011, 508×660mm / 20×26in coloured pencil, ink

Michael Dumontier + Neil Farber, I haven’t figured it out yet…, 2018, 254×203mm / 10×8in acrylic on panel

Michael Dumontier + Neil Farber, I haven’t figured it out yet…, 2018, 254×203mm / 10×8in acrylic on panel

Terran McNeely, Untitled, 305×230mm / 12×9in acrylic on panel

Zachari Logan, Night Vision 5, 2022, 356×280mm / 14×11in pastel on brown paper

Michael Dumontier + Neil Farber, Nothing Makes Sense. Maybe My Soil Has Been Drugged, 2019 & She gave the flowers I gave to her to me, 2017, both 254×203mm / 10×8in acrylic on panel

Dainesha Nugent-Palache, A Home Standing Where it Should have Fallen, 2019, 978×826mm / 38½×32½in inkjet photograph on vinyl and drywall

Dainesha Nugent-Palache, A Home Standing Where it Should have Fallen, 2019, detail

Michael Dumontier + Neil Farber, My petals have been died…, 2017 & If you’ve stopped loving me…, 2018, both 254×203mm / 10×8in acrylic on panel

Janet Morton, Untitled, 2015, 254×203mm / 10×6¾in found photograph and embroidery floss

Janet Morton, Untitled, 2015, 254×203mm / 10×6¾in found photograph and embroidery floss

Nicotye Samuyalie, Untitled, 2019, 660×254mm / 26×10in coloured pencil, ink

Nicotye Samuyalie, Untitled, 2019, 660×254mm / 26×10in coloured pencil, ink

Kristin Sjaarda, Circle Study #8, 406×406mm / 16×16in giclée on dibond

Kristin Sjaarda, Circle Study #8, 406×406mm / 16×16in giclée on dibond

Zachari Logan, Untitled from Enigmas Series, 2017, 254×178mm / 10×7in blue pencil on mylar

Zachari Logan, Untitled from Enigmas Series, 2017, 254×178mm / 10×7in blue pencil on mylar

Emma Welch, Study for a flower fence (19) #2, 2022, 254×203mm / 12⅝×9½in colour pencil and wax pastel on linen over panel, artist’s frame

Emma Welch, Study for a flower fence (19) #2, 2022, 254×203mm / 12⅝×9½in colour pencil and wax pastel on linen over panel, artist’s frame

Michael Dumontier + Neil Farber, I may look fine, but my roots are desperate, 2018, 254×203mm / 10×8in acrylic on panel

Michael Dumontier + Neil Farber, I may look fine, but my roots are desperate, 2018, 254×203mm / 10×8in acrylic on panel

Nicotye Samuyalie, Untitled, 2012, 508×660mm / 20×26in coloured pencil, ink

Nelson Hendricks, Flower Painting 1, 2016, 711×559mm / 28×22in inkjet on 9mm polypropylen

NAMARA projects, Giving Entry

NAMARA projects, Giving Entry

Kristin Sjaarda, Pollinator, 1575×1067mm / 62×42in giclée on dibond

Kristin Sjaarda, Pollinator, 1575×1067mm / 62×42in giclée on dibond

NAMARA projects, Giving Entry

NAMARA projects, Giving Entry

NAMARA projects, John Monteith, & Kristin Sjaarda

John Monteith, Untitled (An Excerpt, Beijing), 2022, (2×) 813×648mm / 32×25½in gel medium photographic wall transfer and gold leaf

John Monteith, Untitled (An Excerpt, Beijing), 2022, (2×) 813×648mm / 32×25½in gel medium photographic wall transfer and gold leaf

John Monteith, Untitled (An Excerpt, Beijing), detail

John Monteith, Untitled (An Excerpt, Beijing), detail

Nelson Hendricks, Flower Painting 1, 2016, NAMARA projects, Giving Entry

Nelson Hendricks, Flower Painting 1, 2016, 711×559mm / 28×22in inkjet on 9mm polypropylen

Nelson Hendricks, NAMARA projects, Giving Entry

NAMARA projects, Giving Entry

NAMARA projects, Giving Entry

Xiaojing Yan, Morning Glory, 2016-2018, NAMARA projects, Giving Entry

Xiaojing Yan, Morning Glory, 2016-2018, NAMARA projects, Giving Entry

Xiaojing Yan, Morning Glory, 2016-2018, variable dimensions paper, natural reed, plastic tube, shadow

NAMARA projects, Rick Leong, Emma Welch, & Xiaojing Yan

Emma Welch, Dweller, 2022, 254×203mm / 49½×37¼in colour pencil and wax pastel on linen over panel, with black epoxy artist’s frame and epoxy balls

Emma Welch, Dweller, 2022, 254×203mm / 49½×37¼in colour pencil and wax pastel on linen over panel, with black epoxy artist’s frame and epoxy balls

Emma Welch, Dweller, 2022, 254×203mm / 49½×37¼in colour pencil and wax pastel on linen over panel, with black epoxy artist’s frame and epoxy balls

Emma Welch, Dweller, 2022, detail

NAMARA projects, Giving Entry

NAMARA projects, Giving Entry

NAMARA projects, Giving Entry

Rick Leong, Untitled, 2022, 1830×2438mm / 72×96in oil on canvas

Rick Leong, Untitled, 2022, detail

NAMARA projects, Giving Entry

Terran McNeely, Untitled, 610×457mm / 24×18in acrylic on panel

Terran McNeely, Untitled, 610×457mm / 24×18in acrylic on panel

Terran McNeely, Untitled, 610×457mm / 24×18in acrylic on panel

Terran McNeely, Zachari Logan

Terran McNeely, Untitled, 610×457mm / 24×18in acrylic on panel

NAMARA projects, Winnie Truong, Zachari Logan, Alex Fischer, & Terran McNeely

Zachari Logan, After Mary Delaney #2, 2018, 254×12×40mm / 10×4¾×1½in vitrified clay, acrylic, paper and pastel

Art

Zachari Logan, After Mary Delaney #2, 2018, 254×12×40mm / 10×4¾×1½in vitrified clay, acrylic, paper and pastel

Zachari Logan, After Mary Delaney #2, 2018, 254×12×40mm / 10×4¾×1½in vitrified clay, acrylic, paper and pastel

Zachari Logan, After Mary Delaney #2, 2018, 254×12×40mm / 10×4¾×1½in vitrified clay, acrylic, paper and pastel

NAMARA projects, Winnie Truong, Zachari Logan, Alex Fischer, & Terran McNeely

Alex Fischer, Casting a Wide Net, 2022—180515, 1524×1016mm / 60×40in matte giclée

Alex Fischer, Casting a Wide Net, 2022—180515, 1524×1016mm / 60×40in matte giclée

Alex Fischer, Casting a Wide Net, 2022—180515, 1524×1016mm / 60×40in matte giclée

Alex Fischer, Casting a Wide Net, 2022—180515, 1524×1016mm / 60×40in matte giclée

NAMARA projects, Giving Entry, Winnie Truong & Alex Fischer

NAMARA projects, Giving Entry, Winnie Truong & Alex Fischer

NAMARA projects, Giving Entry, Winnie Truong

Winnie Truong, Doom in Bloom, 2017, 572×457mm / 24×19½in coloured pencils and cut paper collage

Winnie Truong, Worth the Wait, 2017, 572×457mm / 24×19½in coloured pencils and cut paper collage

Winnie Truong, Doom in Bloom, 2017, 572×457mm / 24×19½in coloured pencils and cut paper collage

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