Giving Entry is an exhibition of works by artists who employ flowers or floral motifs in considerations of social, philosophical, and political subjects. What matters most is the embeddedness of these blooms in their particular stories. Within this exhibition, flowers are put to work symbolically in varied artistic inquiries. Counting among them are built narratives around equality and difference; history, memory, and temporality; environment and climate; speculation and the supernatural.
NAMARA Projects, Giving Entry
NAMARA Projects, Giving Entry
Alex Fischer, Pale Rythem, 2022—170401, 572×457mm / 22½×18in matte giclée
Alex Fischer, Pale Rythem, 2022—170401, 572×457mm / 22½×18in matte giclée
Zachari Logan, Alex Fischer, NAMARA Projects, Giving Entry
Zachari Logan, Datura from Eunuch Tapestries, 2014, 2310×1500mm / 91×59in pastel on paper
Zachari Logan, Datura from Eunuch Tapestries, 2014, 2310×1500mm / 91×59in pastel on paper
Michael Dumontier + Neil Farber, I haven’t figured it out yet…, 2018, 254×203mm / 10×8in acrylic on panel
Michael Dumontier + Neil Farber, I haven’t figured it out yet…, 2018, 254×203mm / 10×8in acrylic on panel
Terran McNeely, Untitled, 305×230mm / 12×9in acrylic on panel
Zachari Logan, Night Vision 5, 2022, 356×280mm / 14×11in pastel on brown paper
Michael Dumontier + Neil Farber, Nothing Makes Sense. Maybe My Soil Has Been Drugged, 2019 & She gave the flowers I gave to her to me, 2017, both 254×203mm / 10×8in acrylic on panel
Dainesha Nugent-Palache, A Home Standing Where it Should have Fallen, 2019, 978×826mm / 38½×32½in inkjet photograph on vinyl and drywall
Dainesha Nugent-Palache, A Home Standing Where it Should have Fallen, 2019, detail
Michael Dumontier + Neil Farber, My petals have been died…, 2017 & If you’ve stopped loving me…, 2018, both 254×203mm / 10×8in acrylic on panel
Janet Morton, Untitled, 2015, 254×203mm / 10×6¾in found photograph and embroidery floss
Janet Morton, Untitled, 2015, 254×203mm / 10×6¾in found photograph and embroidery floss
-2.jpg "Emma Welch, Study for a flower fence (19) #2, 2022, 254×203mm / 12⅝×9½in colour pencil and wax pastel on linen over panel, artist’s frame")
-2.jpg "Emma Welch, Study for a flower fence (19) #2, 2022, 254×203mm / 12⅝×9½in colour pencil and wax pastel on linen over panel, artist’s frame")
-2.jpg "Emma Welch, Study for a flower fence (19) #2, 2022, 254×203mm / 12⅝×9½in colour pencil and wax pastel on linen over panel, artist’s frame")
-2.jpg "Emma Welch, Study for a flower fence (19) #2, 2022, 254×203mm / 12⅝×9½in colour pencil and wax pastel on linen over panel, artist’s frame")
